Victor Hugo. ACT FIFTH SCENE II HERNANI, DONNA SOL. HERNANI. (Aside.) O God!’tis the thy defrauded creditor, resume my journey. SCENE IV HERNANI. Hernani, translated by Mrs. Newton Crosland 21 The King’s Diversion, translated But when the last-named tragedy was produced, Victor Hugo’s fame was armor that will fit — at sixty years Resume thy battle-harness — and then see The . One of the lesser-known productions written by Victor Hugo comes to the stage this weekend as ABBEDAM Productions mounts its take on Hernani. Globe- trotting classical guitarist Iliana Matos has quite the resume to boast.

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Hernani, Ruy Blas : Victor Hugo : resume, personnages, Themes (Book, ) []

The censors of France had rssum prohibited one of his plays from being performed. Men whom neither steel Nor touch of pity softens ; each one urged By some blood feud that’s personal.

As for Hugo, he gradually left his bohemian circle. For thee is happiness. Don Ruy Gomez tnjing to silence him. At the second time the window opens, and Dona Sol appears on the balcony.

Don Carlos turning round gravely and looking him in the face. In her egotism she probably looked on Hernani as a commom bandit, instead of a rebel Lord defying a King. Wilt thou Then come? My heart is bounding. He was essentially a bourgeois, and he returned to that much larger potential audience.

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Sylvie Dauvin Jacques Dauvin. I would see the lights and candles burn, And at the end of the dim corridor Our Lady in her glowing shrine, with cope All golden — then would satisfied return. It is a powerful scene in which Hernani had been lamenting that he had only a dole of misery to offer to his love, and Dona Sol exclaims: John of Avila, I vow Thai we three with you, madam, are by two Too many.

No, No, Dona Sol. At present there is only place for gratitude and thanks. Dona Sol, open to me. It would occupy too much space to relate half the amusing stories associated with the first production of “Hernani. Never did da3 7 break charm me as this sight. My young Sirs, what do you here? Don Ruy Gomez still motionless. Subjects Hugo, Victor, — Let the principle of liberty work, but let it work well. My lord, peace and all happiness be yours!

Who ’tis I have so often seen come in The window way, while I stand at the door. I’ve crossed my sword with yours; that honor, sir, I’ve granted hernami.

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Hernani, Victor Hugo

But one You have forgotten. My lord, I’m bound for Saragossa. Hernani is but the first stone of an edifice which exists fully constructed in the author’s mind, the whole of which can alone give value to this drama. Mountains of old Aragon! Don Ruy Gomez motionless on the threshold, with arms crossed. What think you that the King will do, when once The beauty’s taken?

No day, shouldst thou but turn thy head, oh King, But thou wilt find me, motionless and grave, At festivals; at night, should’st thou look back, Still wilt thou see my flaming eyes behind. Shall they so laugh at me, Vitor soldier of Zamora? In revolution every movement is an advance.

Hernani letting his head fall on her shoulder.

Be silent, Dona Sol. Mufioz Fernan With gesture of a man suddenly recollecting. He’d make her Marchioness Ere then, dear Marquis.

Your father was Archduke of Austria. You must choose ‘twixt us, Whether you marrv him, or follow me.